Category Archives: exhibition

CELESTIAL INVERSIONS

Bite 8 by FP: Often we come to art with our minds made up as to what we will like or tolerate. The same holds true about spirituality. This art invites you to consider these biases as ‘bugs’ to the system.

Satin, cardboard hardware 56cmL x 42cmW x 33cmH $6,700

Bite 8 by NN: The life of Jesus of Nazareth amongst the marginalised and dispossessed illustrates clearly the set of collectables belonging to God. Compassion is the mysterious twist which recycles shattered human beings thrown onto the rubbish dump by formalised religion. Moralism is one ‘bug’ in this system since it lays the foundation for prejudice against those who are different, breeds religious intolerance and divides humanity into those who are ‘right’ and those who are ‘wrong’. Religious dialogue, like political dialogue, can be dominated by these concerns about who is ‘right’ and who is ‘’wrong’. In such a linguistic context, the search for truth becomes an illusion because the main concern is not for truth; rather, the dialogue aims to establish who has the ‘right’ truth and who has the ‘wrong’ truth. Eventually this becomes an issue of verbal power over someone rather than a mutual concern for truth. Sometimes religious wars are conducted in order to settle the argument, but they never succeed in doing so.

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MOON COZY

Bite 7 by FP: This piece plays with real and imagined proportions, considers global intervention to safely contain ‘God’ as perceived by some people in an elaborate box.

Sislation 30cmL x 30cmW x 30cmH $4,300

Bite 7 by NN: Cultural accretions infusing verbalised expressions of Christianity can easily box-in and trap truth. In the Christian tradition, the One who is confessed to be the Truth has been passed down through history wrapped in words and images. I wonder if he would still recognize himself. It may be the case that, if he were to come again and attempt to correct the linguistic portrayals of himself, rework many of the images found hanging in traditional galleries, edit Hollywood’s celluloid and digital versions of his life, then he could be crucified a second time on the grounds that he was an imposter.

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STACKHOUSES

Bite 6 by FP: Referencing high-rise flats or oddly-roofed, above-ground coffins, these structures provide shelter in some way. But do they show society supporting or climbing up by using each other?

Bite 6 by NN: The Church can easily become an above-ground coffin when it is buried in itself. History reveals that on many occasions Christianity, using the brutal structures and spiritual residues of nationalism and colonialism, has climbed up and over many indigenous forms of spirituality, believing it has accurately represented the bleeding heart of Jesus of Nazareth. He was not born in a high rise apartment block but in an oddly-roofed stable which would never have survived a building inspection. Yet it became the temporary home in occupied Bethlehem for one small family destined to become dispossessed refugees. If they fled to Australia instead of Egypt, they would have ended up on Nauru.

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TIES THAT BIND

Bite 5 by FP: The ‘strings attached’ both enable and restrain the individual. They portray the exploration of the everyday but changing family interactions and patterns facilitating the emergence of self, highlighting cultural values and the ties that bind, both in a spiritual and physical sense.

Wood, steel, wool, cotton 30cmL x 30cmW x 30cmH $2,000

Bite 5 by NN: There will be moments when the knotted threads that bind us to patriarchal forms of religion as well as authority dominated patterns of human relationships which have become constricting, destructive and suffocating, must be untangled and the status quo challenged. The Jewish rabbi Jesus of Nazareth has shown us how to do this by cultivating in our being a sense of compassion informed by a sense of doing justice. Personal encounters imbued with these qualities facilitate the emergence of self in those fortunate enough to gravitate within the orbit of a community or relationship grounded in these virtues.

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FAITHFUL

Bite 4 by FP: Earl Stumpf, my Dad, saved each of his pay-packets from the first day he worked in the soul-destroying factory where he eventually spent 50 years. He gave all his money to his stepmom until he married.

Paper, tin, plexiglass 30cmL x 20cmW x 40cmH $5,000

Bite 4 by NN: Soul destroying factories are constructed with the bricks and mortar of injustice. When any human being survives such experiences, it is an indicator of resilience and a measure of how strong the human heart can be. Earl Stumpf was one such survivor. The nature of his working life has been preserved for posterity because he found a home in the memory of his daughter who loves him. This suggests belonging is more than a material or spatial concept. It cannot be limited to a notion of being ‘here’ or ‘there’. It is intangible yet powerful, suggesting that our very own sense of identity and being is composite. Indigenous peoples have retained this composite knowledge and wisdom which connects land and identity – rather than wage and identity. Their pay-packets were filled with tobacco, sugar and flour.

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WITH APOLOGIES TO ST SEBASTIAN

Bite 3 by FP: When people enter into a love relationship and hold each other’s heart, it is a dangerous situation. Both are vulnerable and can be hurt. Poor martyred St Sebastian did not die from his wounds. The same may be so for those affected by love.

Wool, fabric, wood 33cmL x 24cmW x 23cmH $3,600

Bite 3 by NN: Institutional forms of religion can be dangerous. History informs us that threats to the existence of institutional forms of religion are often eliminated, particularly when the integrity and reputation of an institution is called into question. Individuals may then be categorized as heretical, therefore burnt or shot through with the arrows of religious love. They may also be nailed to the expensive stake of complex legal processes and suffer verbal strangulation. Whenever religious institutions ‘close-up-shop’ as a form of self-preservation, victims are abandoned and no longer belong. The preservation of a ‘white-washed-tomb’ then becomes more important than the welfare of a wounded human heart.

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LOVE COZY

Bite 2 by FP: A Tea Cozy insulates the heat of the brewing tea – sometimes all day – in some cultures. It would be beneficial to be able to isolate and insulate any love relationship against the cooling down which seems to occur all too often. Wool, fabric, cotton 16cmW x 16cmL x 28cmH $3,800

Bite 2 by NN: On some occasions Pink-Batts are needed as sound-proof insulation in order to protect the divine from being misrepresented and consumed by the heat generated within the hearts of passionate and dedicated human beings. Language is but one cosy and seductive means by which relationships are constructed, a means by which gender equality can be negated or obscured and a powerful tool by which once healthy and cozy relationships can mutate into suffocating experiences of intimidation and violence. It constantly needs deciphering so that relationships are infused with a healthy brew.

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BENEATH THE PRAYER RUG

Bite 1 by FP: A holy mystery is suggested but rather than lifting the soul to heights of spirituality, this rug takes the soul down into the everyday and the depths of selfhood as a place to find the divine.
Denim, embroidered fabric, LCD lighting
30cmL x 30cmW x 30cmH $4,000
Bite 1 by NN: The depths of the self as a place to find the divine may be an illusion when the self is in complete darkness. When this happens to those who suffer and have been thrown out into the cold, a lament becomes more appropriate rather than a song of joy. Thankfully, the Jewish religious tradition has left us a treasury of such ‘bite-sized theologies’ in the Psalms of Lament. What happens when the divine batters us, covering us with darkness, leaving us living amongst a heap of ruins overrun by wild dogs and inhabited by owls? (Psalm 44:19)

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PETITS FORAYS Bite-sized Theology

Address:
Chapel on Station Gallery April 7th – May 4th 2016
cnr Station St & Ellingworth Pde
Box Hill Vic 3128
Ph 9890 5810
Hours : Tues-Fri 11:30am-3pm Sat 1-4pm Sun 4:30-7pm

Dr Petre Santry “Exhibition Opening April 7, 2016 at 7pm by Dr Petre Santry Senior Academic Advisor at Victoria University, artist and Christian Includes Artist’s Mini Talk”

Free Workshop for Artists on Sat April 16 at 12:30pm BYO Lunch at Gallery followed by workshop from 1:30pm – 3:30pm (See text block below)

“Talk by Artist on Sun May 1 at 4:30pm
Expanding exhibition themes / techniques Seeking the Spiritual: Ethereal, Ephemeral or Eternal
Saturday, April 16

Facilitator Dr Flossie Peitsch In conjunction with The Centre for Theology and Ministry’s Artists’ Network / Artfull Faith Co-ordinator Christina Rowntree

A person’s belief system and visual coding is highly affected by their period in history, their cultural influence, social class, and personal spiritual journey. No one is exempt from these influencing factors. The divine is often thought of as ethereal, ephemeral or eternal and this is conveyed in the art the person creates. It has been said that ‘an artist can only create the art they can create’ but perhaps, there is more to be explored. This forum facilitates opportunities for participants to step outside of their life’s usual vantage point – to advantage their art or thinking practice.


PETITS FORAYS “Exhibition Description
Thirteen (13) small, plinth-based, free-standing sculptures

PETITS FORAYS “Exhibition Statement by Artist

A ‘foray’ is defined as ‘a brief but spirited attempt to become involved in a new activity or sphere’. Petit Four – French for ‘small oven’ – refers today to a miniature confectionery or savoury appetizer which was traditionally made in a smaller oven next to the main oven. Hence, like the artist herself – pint-sized and passionate – PETITS FORAYS is a rare offering of bite-sized theology.

This baker’s dozen of small sculptures eschew clichéd religious symbols in order to offer a fresh ‘chew’ of contemporary spirituality. The miniature portions belie the big thoughts generously served up to those who dare to ponder ‘the divine’ in an unfamiliar bake.

ANNOTATED CATALOGUE
With Astute Comments by Neal Nuske

INTRODUCTION TO NN: Neal Nuske is educated in theology, once ordained and serving as clergy in the Lutheran Church. His interest lies in musical texts, historical texts, artistic and religious texts. Nuske’s bite-sized theological reflections are influenced by twenty-five (25) years teaching young adults the subject areas of Study of Religion and Theory of Knowledge. His perceptions and beliefs about reality are constantly challenged in the spirit of critical inquiry.

Within the formalities and rigours of academic research facilitated by Nuske, his students search for a place to belong. Their personal questions being the preliminary steps in their scanning the intellectual landscapes of their respective religious traditions, or lack thereof. He offers this same possibility to others, in the crunchy word-bites following.

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White Table with Food

by Rirkit Tiravanija

This performance art appealed to me immediately! The guard explained the process to me rather apologetically, it seemed. It must have presented as a bit weird to him. He said that a hot takeaway meal was brought in…as the little sign on the table stated. Then some lucky gallery visitors and a guard or two shared a meal. It happened between strangers in a public place.

The process involved sitting down with an unfamiliar person to eat food – that you haven’t prepared – in a situation that does not feel comfortable. This presents as a difficult dinner party for certain. It is also one I would have liked to have been part of. Still, I have my own party coming up soon. Hope there is someone else – at least one other person – to eat with there…at gallery Nan Giese…in Darwin

What do you do with food made by strangers and eaten with strangers? Many of us do this every day at restaurants or sometimes even in our own home. How much do you know the people you break bread with?

SECOND SETTING of DINNER

I had the urgent need to create publicity images for Art Almanac and on line for Charles Darwin University http://www.cdu.edu.au/creative-arts-humanities

So, I started with the obvious literal level in the first session and then seemed to move immediately to the next abstraction. I had so much fun that these ideas came next…

20 Small table moving around whole plate pp – 1 min
21 1/8 and movement around the ‘clock’ with piece trying to get in pp – 1 min
22 2/8 eating all the bits – 1/8, 2/8, 3/8, etc pp – 1 min
23 3/8 x 2 in conversation (?) pp – 1 min
24 4/8 legs are cutlery – running pp – 1 min
25 5/8  x 2 wobble and fall pp – 1 min
26 6/8 roll off triangle pp – 1 min
27 7/8  x 2 birds together pp – 1 min
28 8/8 cut out bits making patterns pp – 1 min
29 Creating total pattern with cutlery pp – 1 min

The trouble is that I will not have time to do create these designs for this exhibition. Next time of course but without the pressing deadline, I am handicapped.