by Flossie Peitsch, 2012

G is for Gallery reflexively plays with one’s idea of ‘real art’. The QR* code + one’s phone is all that is required to access a history of artists with ecological / ideological causes or tally future issues that artists may pursue. All this exists outside of but with the support of ‘the white cube’. Going below the surface, it links blank wall, canvas and         technology with alternative space with active place with altered time. This is a blurring of preconceived art ideas and gallery conventions such as word versus image,  system versus sign, sound versus sight, public versus private,  inclusion and exclusion, to name only a few.